Feel free to connect with him or check out his work. He's everywhere — Upwork, YouTube, Spotify, SoundCloud, Collider, LinkedIn, Instagram. People’s video game choices reveal a lot more about them than they realize.
That’s because gaming isn't a passive form of entertainment like movies or TV displays. Players constantly make decisions, solve problems, take risks, and shape their own experiences, which means the kinds of games they keep coming back to usually reflect the kinds of challenges they enjoy. There's a surprising amount of psychology behind it.
Some people prefer structure, while others thrive under pressure. No genre can completely define a person, but the experiences people seek out in games often say something about how they see the world. If reading this has you feeling curious, here is what your favorite video game genre might say about you.
RPGs truly embrace the idea of escapism. The genre features games like The Elder Scrolls V: Skyrim, The Witcher 3: Wild Hunt, Baldur's Gate 3, and Mass Effect, which transport players to a whole other world where they have to make meaningful choices, form relationships, and explore every corner of the map to get to the end. Regular RPG players don’t really care about completing all quests to finish the game as quickly as possible, because they understand that exploration is part of the fun in this genre.
Players who gravitate toward RPGs will naturally be curious and look for out-of-the-box ways to do things. They will know that a mysterious cave on the horizon, or an NPC with an interesting backstory, has nothing to do with the central gameplay, but they’re perfectly okay with that. If this is someone’s favorite genre, there's a good chance they enjoy having agency and asserting it too, because RPGs essentially hand players a second life, where they can explore who they are in a completely different realm, with completely different rules.
First-person shooters are all about living in the moment. They strip away almost everything except the players’ ability to make quick decisions and execute them in fractions of a second. FPS games like Call of Duty, DOOM, Counter-Strike 2, or Halo have practically defined gaming for years now, and all of them reward players who can keep up with intense pressure.
First-person shooters feel like a rush of adrenaline because every corner can hide an enemy, and every missed shot has immediate consequences. People who gravitate toward FPS games tend to enjoy immediate feedback. They like knowing that success comes from their own skill rather than plain old luck.
These games also allow players to see measurable improvement as they land more accurate shots, master a new weapon, or learn the flow of a map through repetition. If this is someone’s favorite genre, they’re probably extremely confident in their instincts and don't need every variable to be perfect before making a call. These players tend to thrive on healthy competition.
Winning feels great, but it's the constant process of improvement that gets them hooked. Open-world games feel like candy to players who just want to be free. Games like Grand Theft Auto V, Red Dead Redemption 2, Minecraft, and The Legend of Zelda: Breath of the Wild all let their players do whatever they want.
Don’t be fooled, because the main story is always there waiting, but there’s no pressure to follow it. In fact, players are actually encouraged to wander off, experiment with mechanics, stumble across unexpected discoveries, and create a story that feels entirely their own. The genre allows people to experience the scale of its world and gameplay at a personalized pace.
If this is someone’s favorite genre, chances are that they like having plenty of options at their disposal, even if they never use all of them. They're rarely satisfied with the most obvious solution and don't mind uncertainty because they see it as an opportunity rather than a problem. More than anything, they're self-directed.
Instead of waiting for someone else to tell them what's interesting, they prefer deciding that for themselves, and Open-world games are practically designed to do all of that. Your instincts, your strengths, and your particular way of thinking under pressure point to one villain you actually have a fighting chance against. Everyone else — good luck.
Jason is relentless, but he is also predictable — and that is the gap you would exploit. Michael watches before he moves. He is patient, methodical, and almost impossible to detect — until it's too late for anyone who isn't paying close enough attention.
Freddy wins by getting inside your head — using your own fears, your own memories, your own subconscious as weapons against you. That strategy requires a target who can be destabilised. Pennywise is ancient, shapeshifting, and feeds on terror — but it has one critical vulnerability: it cannot function against someone who genuinely stops being afraid of it.
Chucky's greatest advantage is that nobody takes him seriously until it's already too late. He exploits the gap between how something looks and what it actually is. Horror games are fundamentally different from horror movies because here, the players aren’t sitting back and watching someone else make the bad decisions.
Games like Resident Evil, Silent Hill, Amnesia: The Dark Descent, and Alien: Isolation put players directly in harm's way and force them to enter dark hallways, explore haunted houses, and manage their fear while trying to get to the end. Jump scares are a genre staple, regardless of the medium, so one can expect plenty of those in horror games as well. That’s not all, though, because horror video games thrive on creating a constant sense of uncertainty, where players question every sound and second-guess every choice they have to make.
Type B people typically enjoy this genre of gaming because they perform best in chaos. These players process stress more slowly and do not get easily overwhelmed by tense situations. They enjoy experiences that demand their complete attention and love the adrenaline that the genre delivers.
For them, the greatest reward is knowing that they can keep their composure even in the bleakest of situations. Strategy games reward patience in a way that most gamers just aren’t used to. Some of the best games in this genre, including Civilization VI, Age of Empires II, XCOM 2, and Crusader Kings III, ask players to think several moves ahead, manage limited resources, and adapt to setbacks they could have never seen coming.
That goes to show that strategy games are about more than just quick reflexes or getting the perfect shot. Every victory in this genre feels earned because it comes from careful planning. People who play strategy games tend to enjoy solving complex problems one piece at a time.
They probably never make decisions on impulse and often prefer taking a few extra minutes to understand the situation before acting. Instead of chasing immediate rewards, they're comfortable sacrificing something in the present if it means gaining a much bigger advantage later. These players also tend to see failure differently, because to them, a loss is just information that can be used to build a better plan next time.
More than anything, strategy fans enjoy putting order to chaos. They're naturally drawn to systems with lots of moving parts, and there's something deeply satisfying about watching a plan they've spent hours building come together exactly as intended. Simulation games find excitement in things that most other genres completely overlook.
Think of titles like The Sims 4, Microsoft Flight Simulator, Cities: Skylines, or even Euro Truck Simulator 2. All these games recreate real-world systems and challenge players to understand how they work. Instead of defeating enemies or saving the world, players have to manage entire cities, fly a commercial aircraft, build a successful farm, or try to keep a virtual family delighted.
The sense of fascination in this genre comes from understanding exactly how these things work behind the scenes. Players who enjoy simulation experiences are patient yet creative at the same time. These players are perfectly delighted spending an hour adjusting a layout or refining a strategy, even if nobody else notices the difference, because they enjoy the process more than the outcome.